It only takes a minute to sign up. I'm trying to work with guides because I definitely see the advantage. But I'm having some issues with them snapping and sticking to content that I don't want them to align to. I need these two columns to match in size, but the one on the right keeps snapping to the end of the word "upgrades".
I checked on Adobe's site, but their only advice for moving guides is to click and drag or I guess you could type in the exact location you want when placing the guide in the first place.
To clarify a bit more, I'm not trying to simply place guides an equal distance away from one another although that will solve this particular issue what I'm asking is for a way to nudge my guides pixel by pixel.
Does this feature exist in photoshop or is my only option to click and drag? Use a keyboard arrow key and click once in a direction moves the Marquis selection one pixel. Look under the View menu on the top bar and look for Snap. If you uncheck this, guides will not snap.
Nudging 10 Pixels At A Time
Personally, I prefer it to snap. When dragging a guide, I hold down shift and it snaps to certain increments. When Snap is unchecked, this doesn't work and you will have to zoom in to be precise. Which is a lot slower. In your situation, I'd move the Upgrades line out of the way, put my guide where I needed it, then reposition the text line accordingly. Sign up to join this community. The best answers are voted up and rise to the top.
Home Questions Tags Users Unanswered.The brush tool is one of the most critical tools for creating and refining layer masks. Thankfully, you only need to master just a few to use this tool for photography.
The goal is to be able to paint with control, and without leaving obvious strokes. In addition to the Photoshop settings below, I recommend picking up a Wacom tablet medium or small option. They all have enough pressure sensitivity, and the extra buttons are not really important. What does matter is that you can use a pen device with your fingers, which is much more precise than the upper arm movements used to control a mouse.
This will save you a lot of time when painting on layer masks and cloning, as well as help create more natural results. I should also note that I still use a mouse or trackpad for everything else I do on the computer Word processing, moving files, etc. Probably the biggest frustration I hear about Wacom tablets is that these non-Photoshop activities are difficult with a pen I agree, which is why I only use the Wacom for painting and closing in Photoshop.
The other options at the top of Photoshop should also be skipped.
The airbrush will cause excess buildup in areas where you are going slow to be careful or thinking if you want more paint, increase flow instead.
It is better to change size with the bracket keys: [ and ]. That way the cursor will show you an accurate prediction of where the brush will paint. Disclosure: This article contains an affiliate link. See my ethics statement for more information.
Or, simplify luminosity masking with Lumenzia :. See the store page for Lumenzia and course info. Join my affiliate program. See my ethics and privacy statement. Greg Benz Photography. Optimal Brush Settings in Photoshop.If there's one thing every Photoshop user wants to know, it's how to select someone's hair in a photo. In earlier versions of Photoshop, selecting hair was the kind of thing that separated the pros from everyone else, requiring advanced knowledge of color channels, confusing commands like Calculations and Apply Image, fancy blending options, and even painting individual strands of hair into the image by hand!
It's no wonder most Photoshop users avoided selecting hair at all cost. In Photoshop CS3, Adobe introduced the Refine Edge command, offering us a first glimpse of how much easier it could be to select hair, fur and other fine details in an image.
But in Photoshop CS5Adobe gave the Refine Edge command a major overhaul, with enough improvements and new features to make selecting hair in a photo easy enough for anyone to do!
I mean, here's, how to do it! Here's the photo I'll be starting with. Notice all the curly strands of hair sticking out in front of the gray background:.
What I want to do is replace that original gray background with a different image. If we look in my Layers panelwe see that I have another photo sitting on a layer below the original photo.
I'll click on the original photo's visibility icon to temporarily turn the top layer off so we can see the image on the layer below it:. With the top layer temporarily hidden from view in the document, we can see the image I'll be replacing the background with:. And here's what the final result will look like thanks to the power of Photoshop CS5's Refine Edge command:. This tutorial is part of our Portrait Retouching collection. Let's get started!
I'm going to begin by drawing a fairly rough selection outline around the woman in the photo. There's no need for any fancy or advanced selection tools here. Photoshop's standard Lasso Tool will work fine, and the Polygonal Lasso Tool will work even better because it's faster and easier to use.
With the Polygonal Lasso Tool in hand, I'll begin by clicking around the woman's arm and shoulder in the bottom center area of the photo to lay down points for my selection outline. Notice that I'm keeping my selection along the inner edge of her arm. The Refine Edge command tends to work best if you keep your initial selection just inside the edge of your subject:.
As I move up into the woman's hair, I'll again stay close to the edge but I'll make sure to avoid any areas where the gray background is showing through her hair. I just want to select the main area of hair for now, and I'll let the Refine Edge command worry about the tough stuff in front of the background:. Finally, I'll quickly click in the pasteboard area around the image, then back on my original click point below her arm to complete my selection:. With my initial selection in place, before I do anything else, I'll make sure I have the correct layer selected in the Layers panel.
In my case, it's the top layer which contains the original photo:. Then, I'll bring up Photoshop's Refine Edge command either by going up to the Select menu in the Menu Bar along the top of the screen and choosing Refine Edge from the menu choices, or, since I still have the Polygonal Lasso Tool selected, I can simply click on the Refine Edge button in the Options Bar you need to have a selection tool active for the Refine Edge button to appear in the Options Bar :.
This opens the Refine Edge dialog box, but before we look at it, let's take a quick look at my image in the document window where we see that the area I selected is now sitting in front of a solid white background:. You may actually be seeing something different with your image. Your selection may be appearing in front of a white background as mine is, or it may be in front of a solid black background. Or, you may still be seeing the standard "marching ants" selection outline, or several other possible views.
It all depends on which View Mode is currently selected at the top of the Refine Edge dialog box. You can see a small thumbnail preview of the current view mode to the right of the word "View":. If you click either on the thumbnail or on the small arrow to the right of the thumbnail, you'll open a list of the different view modes you can choose from. I currently have the On White mode chosen, which is why my selection is appearing against a white background.
I'll choose the On Black view mode directly above it:. The image in the document window appears as if I was looking at a layer mask. White represents the area that's currently selected, while black represents the area not currently selected. Any gray in the image would represent partially selected areas:. This mode shows the current selection as it actually appears in front of the other layer s in the document, which can be very useful when compositing images since it makes it easy to judge the result.Learn all about Screen Modes in Photoshop and how to use them to maximize your work area by hiding the interface!
When it comes to working in Photoshop, there has always been one frustrating issue. With so many panels, tools, menus and options available, Photoshop's interface can crowd and clutter up the screen. And the more room the interface takes up, the less room we have for viewing our images. As camera technology improves, our photos get bigger and bigger. This makes finding ways to minimize the interface and maximize our work area extremely important.
Of course, some lucky Photoshop users get to work with dual monitors. Dual monitors let you move your panels to one screen while you view and edit your image on the other. The rest of us, however, need to find a more practical and less expensive solution. Thankfully, there's an easy way to overcome this problem, and that's by taking advantage of Photoshop's Screen Modes.
A Screen Mode controls how much of Photoshop's interface is displayed on your screen, and there are three Screen Modes to choose from. The Standard Screen Mode displays the entire interface.
It's the mode Photoshop uses by default, and the one that takes up the most room. And, there's a Full Screen Mode in Photoshop which completely hides the interface, giving your image full access to the entire screen.
In this tutorial, we'll look at each of Photoshop's three Screen Modes and learn how to switch between them. We'll also learn some handy keyboard tricks for getting the most out of this great feature. This is lesson 10 of 10 in our Learning the Photoshop Interface series.
Let's get started! There are two places to find the Screen Modes in Photoshop. One is in the Menu Bar along the top of the screen. The checkmark next to the Standard Screen Mode means that it's currently active. We'll be looking at each of these Screen Modes as we go along, so leave the Standard mode selected for now:. Another place to find the Screen Modes is in the Toolbar along the left of the screen.
The Screen Mode icon is the last icon at the very bottom.Chris Cox. DavidOfficial Rep. Powered by Get Satisfaction. Community powered support for Photoshop Family.
Photoshop CS - Nudge (Move) Tool
New Post. Home Categories About. Sign In Register. Community Home Products: Photoshop. Photoshop: CS6: Why can't I "nudge" text? Latest version doesn't allow "nudging" text layers. Gets error message see screen shot. Text layer is selected. Move Tool is chosen. Should be able to use arrow keys to adjust position of layer. All 7 Replies. Also, this doesn't happen all the time.
I haven't figured out yet why it does or doesn't give error. Submit Cancel. Chris Cox Posts Reply Likes. Which specific version are you using?
Adobe Photoshop Version: Hit Command-D. You have an active selection in addition to having the text layer selected. Since the pixels within the selection can't be moved until the text is rasterized - you get that warning.
Are you still having a problem with this? Did Chris solve your issue? Not sure but Chris is probably right. Next time it happens I'll check to see if I have a selection.Running Photoshop on underpowered or unsupported hardware—for example, on a computer having an incompatible graphics processor GPU —may result in performance issues.
In general, you should take a holistic approach to optimizing Photoshop's performance for your needs. From the suggestions documented in this article, consider which ones to implement within the context of your computer setup, the types of files you use, and your particular workflow.
Every user's setup is unique and may require a different combination of techniques to get the most efficient performance from Photoshop. The easiest way to improve performance, without spending money, is to set your Photoshop preferences and fine-tune its features to take advantage of the way you work and the type of files you typically work with.
Depending on your primary use case for using Photoshop and the types of documents you generally work with, different combinations of these settings may suit you.
Additional settings such as Scratch Disksavailable on other tabs of the Preferences dialog, may also directly impact your computer's running speed and stability. It also shows the ideal Photoshop memory allocation range for your system. See Keep an eye on the Efficiency indicator.
Doing so may affect performance by leaving no memory for other essential system applications. Photoshop uses image caching to speed up the redrawing of high-resolution documents while you're working on them. You can specify up to eight levels of cached image data and choose one of the four available cache tile sizes.
The cache tile size determines the amount of data on which Photoshop operates at a time. Bigger tile sizes speed up complex operations, such as sharpening filters. Smaller changes, such as brush strokes, are more responsive with smaller tile sizes.
Three cache presets are available in the Performance preferences. Note: You may not get high-quality results with some Photoshop features if you set Cache Levels to 1. You can save scratch disk space and improve performance by limiting or reducing the number of history states Photoshop saves in the History panel.
The amount of space you save varies depending on how many pixels an operation changes. For example, a history state based on a small paint stroke or a non-destructive operation, such as creating or modifying an adjustment layer, consumes little space.
Applying a filter to an entire image, on the other hand, consumes much more space. Photoshop can save up to 1, history states; the default number is In the History States pop-up menu, if necessary, drag the setting to a lower value. The best way to optimize GPU acceleration, which speeds up screen redraws, is to keep your video adapter driver up to date. Turning on OpenCL, a technology that lets applications use the GPU, is likely to improve performance if you use these Photoshop features:.
If a suitable video card is installed on your system, it will appear in the GPU Settings area of the Performance section.
The total value is a percentage of the overall VRAM available. Higher values will help with overall 3D performance but may compete with other GPU-enabled applications. A scratch disk is a disk drive or SSD used for temporary storage while Photoshop is running.The number you set is the distance an object is moved with the cursor key based on your unit settings.Photoshop Preference Settings in Hindi - Photoshop Tutorial in Hindi EP. 9
You can follow any responses to this entry through the RSS 2. You can leave a responseor trackback from your own site. Thank you! Heya are using WordPress for your site platform? Do you require any coding knowledge to make your own blog? This is a very useful post in that it helps to assimilate, and differentiate software terminology for users of various platforms.
Photoshop: CS6: Why can't I "nudge" text?
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